Niagara Falls (Horseshoe Falls) 1878

Curator: This is William Morris' "Niagara Falls (Horseshoe Falls)", rendered in pastel. Immediately, I am struck by the overwhelming feeling of movement and the sublime power of nature captured in what feels like a fleeting moment. Editor: The constant movement of the water, which is symbolized by the white crest, speaks to the ceaseless transformation inherent in nature and humanity, no? Water: both destructive and life-giving. Curator: Absolutely! Morris seems more interested in the emotional experience than literal accuracy. I find the limited palette—the greys and browns—actually heightens the impact. It avoids postcard prettiness and makes you feel the spray, the roar, the slight terror. Editor: Terror is the correct term, especially for this subject! Niagara, a place considered as an element of the passage of time and the source of vital energy. Curator: It’s a reminder of the immense forces shaping our world, rendered with a delicate, almost hesitant touch. Editor: Exactly! A landscape as a mirror of our own fragility.