Vue sur Tonnerre avec l’église Notre Dame by Emile Bernard

Vue sur Tonnerre avec l’église Notre Dame 1904

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painting, oil-paint

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painting

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oil-paint

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landscape

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impressionist landscape

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oil painting

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symbolism

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cityscape

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post-impressionism

Editor: This is Emile Bernard’s "View of Tonnerre with Notre Dame Church," painted in 1904 using oil paint. I find the close foreground and far background to create a kind of visual compression. What’s your perspective on this oil painting? Curator: Consider the social context in which Bernard worked. The rise of industrial paint production democratized artistic creation, allowing for the broader accessibility and portability evident in this landscape. We can see the brushstrokes – evidence of the artist’s labor. How do the ready availability and the portability afforded by materials influence not just the *possibility* of painting "en plein air," but perhaps even its character? Editor: That's an interesting point. Does the artwork suggest a specific class perspective, or reveal certain aspects of his lived experience? Curator: Note the vantage point – elevated, perhaps from a window or higher ground. This suggests a certain degree of detachment, even privilege. How does this positioning, facilitated by his means of access and tools, affect our interpretation of the scene? Consider the cost of the materials involved. The support, canvas primed for painting; the oils which demanded preparation and transportation. These are not inexpensive commodities for the era and reflect choices the artist was empowered to make. Editor: So you’re saying that even in what seems like a simple landscape, the materials and the act of making themselves speak volumes about the artist’s position in society? Curator: Precisely. Bernard's artistic output, enabled by readily available resources and techniques, underscores that artistic creation does not occur within a vacuum, and this informs the landscape we observe, as well as his access to paint and location, Editor: This perspective really illuminates the role of materials in shaping artistic expression! I will consider such ideas moving forward. Curator: Gladly! Keep challenging boundaries by examining labor and the very materiality of creation!

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