Parcel Gilt Spoon by Frederick Elkington

Parcel Gilt Spoon c. 19th century

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silver, metal, sculpture

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silver

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metal

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sculpture

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jewelry

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decorative-art

Dimensions: 8 7/16 x 1 3/4 in. (21.43 x 4.45 cm)

Copyright: Public Domain

Curator: These are really quite stunning. I'm immediately drawn to their delicate composition and subtle glimmer. Editor: Indeed! We're looking at a set of parcel-gilt silver spoons crafted circa 19th century, now residing at the Minneapolis Institute of Art, attributed to Frederick Elkington. The decorative-art style certainly exudes a particular refined elegance. Curator: Elegance born of labor, I'd say. Consider the means of production. Parcel gilding, that is, gilding only a portion of a piece. We should imagine the meticulous work that would have gone into covering sections of these spoons with gold while leaving other parts silver. Editor: Precisely. And observe how the selective gilding enhances the interior of the bowl, contrasting with the silver ornamentation adorning the handle and creating a sense of layered depth within this functional object. It serves, literally and figuratively, to elevate. Curator: I'm especially drawn to the images engraved inside each spoon bowl—what appears to be foliage with some type of avian form; their meaning feels very open to interpretation. Are they specific birds or symbols perhaps of plenty and sustenance? Editor: They resonate, don't they? Food preparation and consumption weren't simply basic survival; here, these activities become symbolic. The silver and gold testify to the rising bourgeois, eager to invest labor to obtain refinement, turning mere things into prized objects. Curator: Looking at the fluted edges and how they are slightly asymmetric brings dynamism to an otherwise uniform design. And do note the shell motif at the spoon's end: an ancient symbol re-contextualized, speaking of pilgrimage and discovery. Editor: Ah, so consumption, acquisition, travel: aspirations embodied. Each line of the pattern; the hand of the maker asserting design values within even these most personal, intimate utensils. We could almost map networks of trade by tracing who would've owned, displayed, and ultimately consumed from these spoons! Curator: An artful convergence, really. I think considering these decorative, intimate aspects deepens our engagement beyond purely utilitarian purposes, elevating an everyday experience. Editor: Exactly. Examining the work invested really does let us savor both form and content afresh.

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