Omer II Talon, avocat au Parlement et conseiller du roi 1605 - 1650

This is Jean Morin's engraving of Omer Talon, Advocate to Parliament and Counselor to the King. Immediately, the texture of the print—the hatched lines building tone and form—strikes us. The image is framed by an octagonal border, which mimics a marble-like texture. The composition is structured around a clear hierarchy. Talon’s face, with its stern expression and direct gaze, is the focal point. Morin uses light and shadow to model the face, giving it a sculptural quality. The meticulous rendering of the fabrics, from the folds of Talon’s robe to the fine details of his collar, adds a tactile dimension. Consider the frame. It is not merely decorative but an integral part of the work. The simulated marble evokes classical authority and permanence, underscoring Talon's status. The inscription below further reinforces this, identifying Talon by his titles and affiliations. The engraving thus functions as a carefully constructed statement of power, its visual elements working in concert to convey a sense of gravitas and authority.