Maggie Regina 1983

Editor: So, here's Peter Kennard's "Maggie Regina." It's undated and held at the Tate. What strikes me is how regal it appears, until you realize it’s not actually Queen Victoria. What's your take on this artwork? Curator: It's a rather uncanny juxtaposition, isn't it? Kennard cleverly uses the visual language of power to subvert our expectations. It feels like a mirror reflecting contemporary political realities, where appearances often mask deeper truths. It begs the question: who truly holds power? Editor: So, it's a commentary on power and appearances, using a historical image? Curator: Precisely! By placing Margaret Thatcher's face on Queen Victoria's body, Kennard creates a powerful statement about the enduring nature of authority. It challenges us to question the narratives we're presented with. Editor: I see it now—it’s a way of using art to question authority. Curator: Absolutely! And hopefully, to inspire a bit of critical thinking, maybe even a chuckle.