Inhuldiging van Frans II, Duits keizer, graaf van Vlaanderen en hertog van Brabant en Bourgondie te Brussel 1794

Curator: Before us, we have a fascinating example of metal print art: a medal commemorating "The Inauguration of Francis II, German Emperor," and count of Flanders, Duke of Brabant and Burgundy in Brussels, dated 1794. It is housed at the Rijksmuseum. Editor: It strikes me as somber. The silver, the close crop on the ruler’s profile… There's an air of austerity that pervades the piece. Curator: I appreciate your immediate reaction. This artwork embraces neoclassicism, evident in the clean lines, balanced composition, and the subject itself— the Emperor, represented with the gravitas of a Roman leader. Note also the formal portraiture. Editor: But what was happening at the time this token of inauguration was cast? In 1794, Revolutionary France had declared war on Austria, and had occupied Belgium. In a time of radical socio-political upset across Europe, what did it mean to depict a classical portrait? How complicit were the producers in creating a legitimizing mythology around empire? Curator: An astute point. The artist presents Francis II, employing a precise visual language characteristic of Neoclassicism, as steadfast. But consider how the medium also informs our reading; metal carries connotations of durability, and therefore is perfectly aligned with the ruler's intention of self-portrayal as a force to be reckoned with. Editor: Absolutely. This metal engraving offers a glimpse into the relationship between the emperor and their region at a specific time. Even an image intended as a straightforward depiction cannot erase a troubled time in world history! The text is encircled by the olive branches--symbols of peace. Is this a symbol of the emperor offering an end to all struggles for power? Or is it there to cover something that remains unacknowledged? Curator: This engraving successfully demonstrates how classical artistic modes continued to exert their influence during a pivotal period of change. Its design is a complex visual object worthy of detailed contemplation. Editor: For me, examining artwork such as this opens a lens to view society, the narratives they promote, and those they may choose to erase, at important historical moments.