Basket by Tohono O'odham (Papago)

Basket c. 20th century

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fibre-art, weaving, textile

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fibre-art

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weaving

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textile

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geometric pattern

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folk-art

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geometric

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indigenous-americas

Dimensions 5 1/8 x 5 1/8 in. (13 x 13 cm)

This basket was woven by a Tohono O’odham artist, using natural fibres to create a striking design. Just imagine the artist at work, patiently coiling and stitching, building up the form, one tiny element at a time. The surface is full of subtle textures, a kind of topography that invites you to touch. It’s a slow, meditative process, demanding total attention. The dark figures parade around the perimeter, their stylized forms echoing one another in a rhythmic dance. I wonder what stories or beliefs these images embody? It puts me in mind of other artists who work with repetition and pattern. Think of Agnes Martin's grids or the obsessive details in some outsider art. There's a similar sense of dedication, of finding meaning through sustained, repetitive action. This basket feels like a conversation across time, a testament to human creativity and ingenuity. It demonstrates the artist’s commitment to their materials and their culture.

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Comments

minneapolisinstituteofart's Profile Picture
minneapolisinstituteofart over 1 year ago

The supply and demand of the market that grew between the Euro-American tourists and the Akimel O’othom and Tohono O’odham basket makers demonstrate the tribes’ high level of ingenuity and productivity. Novelty items invented by Native artists include waste paper baskets, animal and human effigies, and miniatures of popular basket forms. The smallest basket here measures only one half inch in diameter. The use of animal and human figures in the basketry was another result of the tourist market, as consumers sought after designs that were easily recognizable. Yucca plant also replaced willow and cottontail in many instances because it grew in abundance in the desert surroundings and took little time to prepare for weaving.

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