fibre-art, weaving
fibre-art
sculpture
weaving
geometric
ceramic
indigenous-americas
Dimensions 1 1/4 x 3 1/8 x 3 1/8 in. (3.2 x 7.9 x 7.9 cm)
This little basket was probably made by an Akimel O'odham (Pima) artist, and is here with us at the Minneapolis Institute of Art. You know, when I look at this basket, I see the quiet determination of the artist, carefully weaving each strand. What was she thinking about as she worked, turning this humble object into something beautiful? The texture must feel so good to the touch, that straw-like color contrasting with the dark, sharp triangles dotted around the form. These shapes, like little signposts, mark the rhythm of the weaving, guiding my eye around and around. It's a reminder that art doesn't always shout; sometimes, it whispers, inviting us to lean in and listen. There's a conversation happening here, a connection to the hands that made it, and to the many other artists who, in their own way, are also weaving stories into the world.
Comments
Willow, cottontail, and black martynia, or devils claw, are the main materials used to sew baskets of the Akimel O’othom and Tohono O’odham. The availability of these plant fibers in the environment aide in identifying differences between the two tribe’s baskets. The Akimel O’othom who live along the river and few streams have easy access to willow and cottontail, which is reflected in their design being predominantly shown as a black pattern on a white background. The Tohono O’odham, who live in the desert where black martynia is more abundant, predominantly use a black background with white designs.
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