Untitled 1959

This untitled 1959 work by Verena Loewensberg exemplifies the principles of geometric abstraction. The composition is comprised of a white square against a pale background, with overlapping shapes of blue, green, and black. Loewensberg’s minimalist style and use of bold, flat colors create a sense of dynamic equilibrium and depth. The work is reminiscent of other abstract artists such as Josef Albers, who emphasized the formal properties of color and shape.