Ornament met rookvat, putti en hippocampi 1682 - 1729

Curator: Before us, we have "Ornament met rookvat, putti en hippocampi," created sometime between 1682 and 1729. The piece employs engraving and drawing to showcase, what is perhaps, an ornamental design. Editor: Gosh, that's quite a mouthful of a title. Looking at it, the word that first comes to mind is "frolicsome." There’s this riot of cherubs, smoking urns, and sea-horses that makes you want to grin. Curator: Indeed. Note how the artist, Balthazar Pavillon, constructs a visually stimulating architecture using these figures. The symmetry is precise, providing a structured frame for what might otherwise descend into chaos. The delicate balance, the verticality achieved by the flanking candelabras--it's masterful control. Editor: I'm also drawn to that cartouche in the center—a void waiting to be filled. What's even more interesting is the playful juxtaposition of sacred and profane imagery. You have these celestial putti juxtaposed with, essentially, pagan sea creatures. Curator: An acute observation. Pavillon expertly utilizes line to create depth and shadow. The details in the putti's wings, the flowing manes of the hippocampi – it elevates this beyond mere decoration. Editor: Almost as if he’s creating a playful tension by contrasting the serious function of ornament, you know, pure embellishment, with some kind of hidden symbolism that we can read. Curator: Exactly! The piece compels us to consider ornament not as mere surface decoration, but as a signifier with the potential for embedded narratives and meanings. Editor: The artist also dares to leave areas unresolved as if inviting viewers into some kind of dream. I found this element extremely fascinating! I suppose this kind of ornamental sketch was extremely important at the time! Curator: Certainly. This engraving offers insights into 17th and 18th-century design sensibilities, where detail, structure and playful symbolism converged to enrich everyday life and art. Editor: Well, I came here looking for something beautiful to ponder, and thanks to you and Pavillon, I leave smiling a slightly wider smile today!