Architectural Motif with Three Shields, Two with Figures by Carlo Antonio Buffagnotti

Architectural Motif with Three Shields, Two with Figures c. 1690

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print, engraving, architecture

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baroque

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print

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geometric

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line

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engraving

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architecture

Dimensions plate: 11.3 x 9.2 cm (4 7/16 x 3 5/8 in.) sheet: 17.4 x 12.2 cm (6 7/8 x 4 13/16 in.)

Curator: So, here we have an engraving, dating back to about 1690, by Carlo Antonio Buffagnotti. The title is "Architectural Motif with Three Shields, Two with Figures." It's a fairly small print, really, given the intricate detail. Editor: My first thought? It's like a fancy doorway shrunk down to fit inside a book. Makes me feel like I'm peering into a secret, grand hall for tiny aristocratic mice. Curator: That’s a charming reading of it! And notice the almost obsessive level of detail, typical of Baroque aesthetics. These prints weren't simply decorative; they were also disseminated as models. Architects and artisans could have used this image as a template for building elements. The engraving process itself allowed for mass production. Editor: Right, because everyone needs a super ornate shield in their life, right? I find myself wondering about those figures in the shields—are they portraits? Symbols? And there's such an energy, you can feel it, despite the static nature of the image. It has this push and pull; formality and fanciful exuberance, practical blueprints but almost dreamlike ornamentation. Curator: Yes, those are valid questions. I suspect the shields allude to a noble family whose identity the original commissioner of a grand house might like to announce. Baroque art always finds an opportunity to tie status to artistry. Editor: Well, regardless of historical or political motivations, I enjoy the juxtaposition of the solid, architectural structure against the fluid ornamentation. All those tiny scrolls and flourishes just vibrating. I think, whether it was commissioned or sold on the marketplace, it certainly carries echoes of grandeur. Curator: And echoes, too, of the dialogue between patron and artist. In an age before digital reproduction, these prints served a crucial role. Thanks to engravings like these, Baroque extravagance moved throughout Europe. Editor: I guess when you look at it that way, this engraving might be an understated portal.

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