Ippolita as Diana with Hunting Dogs in a Landscape with Pluto and Cerberus [reverse] by Leone Leoni

Ippolita as Diana with Hunting Dogs in a Landscape with Pluto and Cerberus [reverse] 1551

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metal, relief, bronze, sculpture

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portrait

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medal

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allegory

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metal

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stone

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sculpture

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relief

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bronze

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figuration

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geometric

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sculpture

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history-painting

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italian-renaissance

Dimensions overall (diameter): 6.8 cm (2 11/16 in.) gross weight: 95.47 gr (0.21 lb.) axis: 12:00

Editor: This is "Ippolita as Diana with Hunting Dogs in a Landscape with Pluto and Cerberus," made by Leone Leoni in 1551. It's a bronze medal. The detail is really striking, almost like a tiny world contained in metal. There is just so much going on. What do you make of it? Curator: It's a fascinating piece, isn’t it? These portrait medals were often miniature billboards for the sitter's ambitions. In this case, Ippolita Gonzaga, depicted as Diana, the Roman goddess of the hunt. That’s her with the spear and dogs. Look closely: even the landscape contributes to her image. It’s like a stage set where her power is on full display. You'll also notice, less prominently, Pluto and Cerberus... What do you think it all represents? Editor: It almost feels like Ippolita is trying to encompass the heavens and hell, be the master of everything, both virtuous hunting and the dark underworld. Curator: Precisely! It's less a likeness and more of an aspirational statement. During the Renaissance, it was all about showcasing one’s wit and worldliness, or as the inscription says 'PARVIBVS POTESTAS' or “Power even in small things.” Do you think it succeeded? Editor: Definitely! I love how such a small object can feel so grand and full of layers. Curator: And the medal as a whole then almost becomes symbolic of her power, right? Contained but overflowing. Editor: Yes! That’s really changed how I see portraiture. Thanks!

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