Actor in the No Play Hanagatami by Tsukioka Kôgyo

Actor in the No Play Hanagatami 1926

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Dimensions: height 378 mm, width 252 mm

Copyright: Rijks Museum: Open Domain

Tsukioka Kôgyo made this print, Actor in the No Play Hanagatami, with woodblock printing, but it’s the sensitive use of color that grabs me. It's all about these flat planes of color and delicate outlines, like he's thinking through the image one piece at a time. The salmon pink background gives the work a delicate warmth. The actor’s robe, a symphony of white, is embossed with subtle patterns that reveal themselves slowly. The blue skirt pops with intricate designs, a small universe of detail. I love the way the artist uses line to define the actor's features and clothing, especially in the folds of the robe. Look closely at the actor's hand, how the lines curve and taper so subtly. And then those little leaves falling down, they look so delicately placed! This print reminds me of how ukiyo-e artists like Hiroshige captured the fleeting beauty of the world. It's not just a picture; it's a feeling, a moment of quiet contemplation captured in ink and color. It’s like Kôgyo is saying, "Hey, let's look at the world in a new way, one color at a time."

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rijksmuseum over 1 year ago

A familiar attribute in No is the branch of bamboo that was carried by a woman. It is called a ‘branch of madness’ (kuruizasa) to indicate that she is confused or has lost hold of her senses. This can result from misfortune in love, but also the loss of a child. This woman had to renounce her lover.

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