Omslag voor vierentwintig prenten met landschappen by Domenico Quaglio

Omslag voor vierentwintig prenten met landschappen 1804 - 1821

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print, etching, engraving

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print

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etching

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landscape

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romanticism

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engraving

Dimensions height 250 mm, width 318 mm, width 63 mm

Curator: This piece, "Omslag voor vierentwintig prenten met landschappen"—or "Cover for Twenty-Four Prints of Landscapes"—was created between 1804 and 1821 by Domenico Quaglio. He employed etching and engraving to achieve its delicate textures. Editor: Immediately, I feel a quiet sense of anticipation looking at this. The orderly text hints at the scenic vistas that lie within—like a gate to untold landscapes. Curator: Precisely! It’s an invitation. You see, Quaglio was deeply embedded in the Romanticism movement. Beyond just beautiful scenery, Romanticism explored man's emotional connection with the grandeur of the natural world and often questioned the rationalism of the Enlightenment. Editor: Absolutely, and looking at this cover through a contemporary lens, it’s impossible not to notice how landscape imagery—particularly that associated with Romanticism—often presents nature as this feminized, passive entity, ripe for exploration and even exploitation by the patriarchal gaze. What do you make of the artist's decision to print the phrase "erfunden und radirt" which means "invented and etched"? It points to a certain degree of intervention in how nature is depicted, right? Curator: Interesting point. He's literally "inventing" these landscapes. Domenico's artistic choices—the composition, the light, the subtle shading he achieves through etching and engraving—they all contribute to this invented atmosphere. There’s a level of subjective reality portrayed here, don't you think? It’s not necessarily about documentary accuracy. Editor: Yes! In our own time, ecological concerns have pushed back against these conventions, asking us to consider nature’s agency rather than our imposition onto it. Still, the elegance of this title page makes me wonder about what those twenty-four scenes could tell us about the world as perceived back then. It’s like a time capsule of landscape, bound by a single cover. Curator: For me, Domenico has woven into this piece an enduring enchantment for nature’s power—one that gently draws you in still today. Editor: Indeed—a powerful prelude, promising so many journeys within.

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