Slag bij Oudenaarde, 1708 by Jacob Folkema

Slag bij Oudenaarde, 1708 1708

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print, engraving

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baroque

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print

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old engraving style

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landscape

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line

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history-painting

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engraving

Dimensions: height 399 mm, width 287 mm

Copyright: Rijks Museum: Open Domain

Curator: Let's discuss this engraving, "Battle of Oudenaarde, 1708" by Jacob Folkema, currently held at the Rijksmuseum. It depicts a specific moment in a pivotal battle. Editor: My first impression is of controlled chaos. Despite the overwhelming scene of battle, the artist uses meticulously etched lines to bring structure, wouldn't you say? Note how those swirling plumes of smoke dramatically contrast against the flat, clear sky, providing dynamism? Curator: Indeed, Jacob Folkema's composition speaks to the larger political agenda. This print wasn't just a depiction of war; it was commissioned to glorify the Dutch and Allied victory against the French during the War of the Spanish Succession. Engravings such as these bolstered national pride and reaffirmed political power, serving a vital purpose. Editor: Absolutely, and considering his precise linework and perspective, he cleverly uses the available engraving medium. You have the minute detail of each soldier's uniform, rendered through precise strokes. Then consider the tonal gradations Folkema creates with cross-hatching – impressive considering he's using only line. Curator: These prints played a significant role in shaping public opinion. They circulated widely, creating shared visual narratives of the event. One could imagine them as historical "news" of their day. Editor: Yes, although perhaps "staged news" would be more accurate! The image certainly aims to inspire, but when you observe such precise control across such complex battle scenarios, you have to appreciate how form and technique combine to celebrate an unambiguous victory. Curator: It does reveal much about how conflicts were understood and presented to the public. These weren’t mere battle scenes; they were statements of power. This piece is an artifact, evidence that artists create narrative and contribute directly to political discourse. Editor: And artistically, it presents an incredibly compelling exercise in value and structure within a fairly limited range of tones. The use of lines provides impressive atmospheric effects as it conveys the grand scale of the depicted event. I keep returning to its balanced asymmetry—how different masses on opposing sides balance the composition so perfectly. Curator: The social impact of its style makes you appreciate both its function and its aesthetics all the more.

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