Bedstead 1802 - 1811

Editor: Here we have Charles-Honoré Lannuier's "Bedstead," crafted between 1802 and 1811, housed here at the Met. Made with wood and metal, the gold details really stand out against the dark wood. It strikes me as incredibly opulent for something you sleep on. What catches your eye when you look at it? Curator: Opulent is the word! I find myself wondering what dreams it has seen, you know? Beyond its beauty, it reflects a burgeoning American identity finding its voice in the Neoclassical style, twisting European refinement into something altogether bolder. The gilded carvings – notice the eagle talons? – root it firmly in this time. What do they tell you about wealth, status, or even American ideals? Editor: I see what you mean. The eagle talons feel like they’re proudly declaring ‘American-made.’ The gold contrasts with the dark wood really emphasizing wealth and grandeur. The smooth curves of the wood have something very classical about them though. Curator: Absolutely. The blend of influences – the French Empire style refined for an American clientele. Consider the function, too. It's furniture elevated to sculpture, a domestic object infused with national pride. Makes you wonder what a guest might think! Now, does it change your first impression at all? Editor: It definitely deepens my understanding. It's not just about wealth; it's about creating a statement of national identity. Thanks, this has definitely enhanced my perspective. Curator: Likewise. It’s amazing how much history and meaning can be contained in something as simple as a bed. Keeps the mind young and open, wouldn’t you agree?