Isphahan 1974

Editor: This is Robert Medley's "Isphahan," currently residing at the Tate. Looking at the geometric shapes, I can't help but wonder, how do you interpret this work? Curator: The title itself, "Isphahan," evokes a powerful cultural memory. Do you notice how these geometric forms, while abstract, suggest architectural blueprints or perhaps even textile designs? Editor: Now that you mention it, I see the suggestion of architectural forms. Curator: Indeed. Medley uses these shapes to tap into the rich visual vocabulary of Islamic art and architecture, hinting at the cultural exchange and artistic influences that have shaped our visual world. What feelings does the subdued palette evoke in you? Editor: A sense of quiet contemplation, perhaps? It's interesting how the symbols can connect us to distant places and times. Curator: Precisely! Through symbols and abstract forms, Medley reminds us of the enduring power of cultural heritage and the intricate ways in which it manifests in art. Editor: I never thought of it that way, I will definitely see this artwork from a new perspective.