Rejsedagbog. Bruxelles by Johan Thomas Lundbye

Rejsedagbog. Bruxelles 1846

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drawing, paper

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drawing

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paper

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romanticism

Dimensions 131 mm (height) x 89 mm (width) (bladmaal)

Curator: This drawing, "Rejsedagbog. Bruxelles," dates back to 1846 and comes from the hand of Johan Thomas Lundbye. It's a piece of paper filled with notations from his travels. What do you see first? Editor: It strikes me as intimate. Looking at Lundbye's notes, you see the care taken in the loops and delicate connections. The browned paper gives it a melancholic air, doesn't it? Like a whispered secret from a bygone era. Curator: Absolutely. Lundbye was a Romantic artist, and travel journals like this were a key aspect of the artistic process in the 19th century. These weren't just personal mementos but potential source material. Think of the sociopolitical backdrop—the rise of nationalism, and the impulse to define a national identity tied so strongly to landscape and place. These kinds of observations were really valuable at the time, helping people visualize "Denmark". Editor: That resonates. Considering Romanticism's fascination with the past and the individual's emotional response to nature, these aren't simply objective observations but expressions of a subjective experience—encoded observations on society and progress at that time, too. This hints at the tensions in that period's relationship with nature, and humanity's imprint. Curator: Precisely. Also, keep in mind where this is housed now. Museums today still bear that impulse to categorize identity; Denmark's, Europe's and more broadly the world's through the artist's gaze and its consumption as history, or fine art. Editor: I wonder, though, about whose stories aren’t being told, given these traditional avenues of display. Whose journeys and perspectives might contrast with Lundbye’s elite experience? Curator: That’s an important point. Exploring art history through such critical lenses, acknowledging the power dynamics and historical context, is key to broadening our understanding. It brings a richness to our appreciation of these works. Editor: Indeed, seeing this piece not only as a drawing, but also as a document loaded with complex meanings adds to its allure and contemporary relevance. Thank you!

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