Reproductie van de eerste pagina van een koran door Louis Jacques Bresnier by Jules Gervais-Courtellemont

Reproductie van de eerste pagina van een koran door Louis Jacques Bresnier before 1893

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mixed-media, print, textile, paper, typography

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mixed-media

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print

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textile

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paper

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typography

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islamic-art

Dimensions height 194 mm, width 136 mm

Curator: This work is a reproduction of the first page of a Quran. It's attributed to Louis Jacques Bresnier and dates back to before 1893. It's a mixed-media piece incorporating print, textile, and paper, showcasing typography prominently. Editor: Well, isn't that intricate? It has this beautiful sort of woven quality. Almost feels like looking at a sacred rug hanging on the wall. Curator: Indeed. Bresnier was a scholar of Arabic and Islamic studies. What you're sensing in terms of the design evokes Islamic art's emphasis on geometric patterns and calligraphy rather than representational imagery. This reproduction gives you a taste of that. Editor: So it's not simply about transcribing the text, but creating a visual experience as well. It definitely radiates reverence, doesn't it? Makes me think about how religious texts were, and still are, precious objects worthy of this level of detailed artistry. Curator: Exactly! And its presence here in the Rijksmuseum highlights the colonial context of collecting and displaying such works. Bresnier was part of a larger French academic engagement with Islamic cultures. The act of reproducing it also served to both preserve and potentially, re-interpret it. Editor: I see it! The act of re-presenting it inevitably transforms its significance, moving it from sacred text to object of study. I feel a curious tension in viewing it, appreciating its aesthetic qualities while considering the historical power dynamics at play. Curator: That tension, I believe, is precisely what makes engaging with works like these so crucial. It invites us to confront the multifaceted narratives embedded within seemingly straightforward visual experiences. The typography, the mixed media approach – it all contributes to that rich history. Editor: Looking at the way the textile and paper are incorporated makes you think of the care and attention given to the book itself as a work of art. It speaks of a tradition where the physical presentation of knowledge is as important as the content. Curator: It truly encapsulates the idea that the form enhances the function, adding layers of cultural significance. It pushes us to understand its historical moment and cultural importance more fully. Editor: I find myself captivated. It is beautiful, while also carrying layers of historical reflection about its creation and re-interpretation. Curator: Exactly! This image functions like a key. Now let us use it to unlock further inquiries.

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