Solitude, or The Reading Magdalen (Liber Studiorum, part XI, plate 53) by Joseph Mallord William Turner

Solitude, or The Reading Magdalen (Liber Studiorum, part XI, plate 53) 1814

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drawing, print, etching

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drawing

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print

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etching

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landscape

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charcoal drawing

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figuration

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romanticism

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line

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realism

Dimensions plate: 7 x 10 1/4 in. (17.8 x 26 cm) sheet: 8 1/8 x 11 1/4 in. (20.6 x 28.6 cm)

Curator: Oh, my goodness, it's drenched in melancholy, isn't it? Like a sepia-toned memory flickering at the edges. Editor: Indeed. What you're sensing is perhaps tied to the artwork’s subject. What we have here is "Solitude, or The Reading Magdalen" by J.M.W. Turner, created in 1814 as part of his Liber Studiorum series. It’s an etching and mezzotint, and it masterfully blends line and tone to evoke a powerful sense of isolation. Curator: Mezzotint! Of course. It feels like everything's dissolving into feeling – those trees clinging to the light, and then the almost spectral ruin in the background... I just want to curl up with a blanket and brood dramatically. Is that a sheep I see there, just off the road near the mountain? What on earth could a shepherd find to graze there? Editor: Note the dynamism with which Turner constructs the composition: the placement of the ruin in relation to the trees draws your eyes on a cyclical path. But if you will insist upon these pastoral imaginings… Yes, I do observe grazing animals – but observe how he juxtaposes the ephemeral, fading architectural structure to those transient grazing figures—a powerful dialectic tension! Curator: Oh, tension, always tension with you! But yes, the light. I keep coming back to how Turner handles the light in this—it feels like a spotlight on loneliness itself. And the trees! They're almost clawing at the sky! I want to read all the poetry that's ever been written. Editor: His tonal variations are breathtaking, yes; especially within the specific stylistic demands and formal constrictions demanded of printmaking. But, there’s a fascinating ambiguity as to the implied narratives being represented that this tension you reference arises, and perhaps creates the melancholic, brooding feel. Curator: Well, whatever he did, it worked. I’m emotionally exhausted. I am going to reflect on what’s transient in MY architectural plans and call all my friends for tea. I love how this one, solitary image can evoke such intense awareness. Editor: Agreed, it certainly proves Turner's genius and artistic sophistication and invites us to contemplate ephemerality, as it functions within aesthetic forms.

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