Order of the Crown, Germany, originally Prussian, from the World's Decorations series (N44) for Allen & Ginter Cigarettes by Allen & Ginter

Order of the Crown, Germany, originally Prussian, from the World's Decorations series (N44) for Allen & Ginter Cigarettes 1890

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drawing, graphic-art, lithograph, print

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portrait

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drawing

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graphic-art

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lithograph

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print

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german-expressionism

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history-painting

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watercolor

Dimensions Sheet: 2 7/8 x 3 1/4 in. (7.3 x 8.3 cm)

Editor: Here we have "Order of the Crown, Germany, originally Prussian," a lithograph print from 1890 by Allen & Ginter, part of their World's Decorations series. I find it fascinating how a simple cigarette card could showcase such a symbol of power. What strikes you most about it? Curator: I see a carefully constructed representation deeply embedded in the visual language of power. Allen & Ginter used these cards to brand their cigarettes. However, the card simultaneously participates in circulating powerful symbols and histories, reflecting a broader European trend of showcasing imperial might through collectible imagery. Editor: So, it's not just about selling cigarettes? Curator: Precisely. The Order of the Crown itself represents a specific hierarchy and system of values. By placing this imagery on a commercial product, they are, in effect, democratizing access to symbols previously exclusive to the elite, yet still framing them within a capitalist system. Do you notice how this contrasts the exclusive nature of the award with its wide distribution through commercial means? Editor: That tension between exclusivity and accessibility is really interesting. The placement on a cigarette card feels almost satirical in retrospect, given today’s understanding of the health implications of smoking. Curator: It highlights how social values and political landscapes shift, changing the meaning and impact of imagery over time. Editor: I’ve definitely gained a new perspective on how everyday objects can be packed with so much historical context and social commentary. Thank you! Curator: It's been a pleasure to consider the intersections of commerce, power, and art with you.

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