Spotprent op Cromwell, ca. 1652-1654 1652 - 1654

Salomon Savery made this print critical of Oliver Cromwell in the Netherlands between 1652 and 1654. It satirizes Cromwell's rise to power during the English Civil War. The image creates meaning through visual codes. Cromwell, labeled as the "destroyer," is depicted alongside a devilish figure representing "evil influence," whispering in his ear. On the right, a woman embodies "deceit," praying with snakes in her hair instead of rosary beads. The use of Dutch text reflects the political climate of the time, with the Dutch Republic closely observing and commenting on English affairs. This print critiques the social upheaval and perceived moral decay associated with Cromwell's rule. Understanding this artwork requires historical context. Examining pamphlets, political writings, and other visual satires from the period could reveal the depth of anti-Cromwell sentiment. The Rijksmuseum's collection itself offers resources to better understand the complex interplay between art, politics, and society in the 17th century.