Les Baux 1975

Curator: Julian Trevelyan's "Les Baux," part of the Tate Collections, presents such an interesting case of modernist printmaking. Editor: Immediately, I'm struck by its whimsy! It feels like a stage set for a very stylish, slightly absurd play. Curator: Yes, the etching technique lends itself to that theatrical feel. Notice the layering of textures, creating depth but also flatness, challenging the viewer's perception. Editor: I love how the limited palette—mostly black, white, and this unexpected teal—creates such a bold statement. It’s playful, like a child's drawing, but also sophisticated. What do you think about that sun? Curator: The sun, or perhaps the moon, is a key element in grounding the composition. It also highlights Trevelyan's mastery of intaglio, demonstrating a keen understanding of surface and ink manipulation. Editor: I feel I can imagine the figures walking toward Les Baux; it makes me think about how art transforms space and location. Curator: Absolutely, and Trevelyan’s work reminds us of the value found in experimenting with traditional methods. Editor: A truly unforgettable little world captured in print!