Toujours Chic Hiver 1921-1922: index by G-P. Joumard

Toujours Chic Hiver 1921-1922: index 1921 - 1922

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drawing, pen

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portrait

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art-deco

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drawing

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figuration

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pen

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fashion sketch

Dimensions height 180 mm, width 120 mm

Editor: Here we have "Toujours Chic Hiver 1921-1922: index" by G-P. Joumard, a pen drawing from the Rijksmuseum. It strikes me as a really elegant, almost clinical display of fashion designs, like a blueprint for chic. What's your take? Curator: This fashion index provides insight into the societal forces shaping women's roles post-World War I. We see a departure from overtly decorative styles towards more streamlined silhouettes, reflecting a shift in social expectations and a growing sense of female independence. Joumard's work demonstrates how fashion was not just about clothing but also about articulating new identities. Notice how the descriptions highlight luxury materials, hinting at the exclusive clientele targeted by such designs. Does the somewhat muted presentation influence how you interpret it? Editor: Definitely. The subdued style sort of mutes the luxury, making it feel less frivolous somehow. It’s presented almost as an industrial design document. So, the clothes embody a move toward independence, but the presentation emphasizes industry, commerce and aspiration, all at once. Curator: Precisely. And consider where this would have been displayed – likely within fashion houses or journals catering to a specific socio-economic bracket. The accessibility of this imagery was limited, thereby enhancing the allure and exclusivity of the garments themselves. Does knowing this change how we view these designs now? Editor: It does. Thinking about it existing in a closed environment changes the dynamic. Now it feels less like simple aspiration, and more like carefully constructed desire, which you only get by belonging to an exclusive "in group". It all becomes incredibly intentional, when we consider it that way. Curator: It’s fascinating how understanding the socio-political landscape can reshape our understanding of what might initially appear as mere fashion sketches. Editor: Absolutely. I’m now much more aware of how these designs functioned within a larger, carefully constructed cultural system.

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