Dimensions: height 210 mm, width 170 mm
Copyright: Rijks Museum: Open Domain
Editor: So, here we have Carl Ernst Christoph Hess’s 1786 engraving, "Portret van Karel V van Habsburg, Duits keizer en koning van Spanje," or Portrait of Charles V, Holy Roman Emperor and King of Spain. It has such a stately, almost severe presence. What's your take on this particular depiction of Charles V? Curator: Well, it's important to remember that this was made several centuries after Charles V’s reign. In the context of late 18th-century neoclassicism, consider why Hess would choose to portray Charles V in this specific way. He's deliberately evoking the idea of the strong, even severe, ruler during a time when the very concept of monarchy was being questioned. How does this image speak to power, legitimacy, and the social order of the late 1700s, rather than necessarily just reflecting who Charles V was in reality? Editor: That's a great point. So it’s not necessarily about historical accuracy, but more about the message it conveys during *Hess’s* time? The use of the printmaking technique too…does that amplify a certain aspect? Curator: Exactly! Printmaking allowed for wider distribution. Think about the audience and how they might have perceived this image. Was it meant to reinforce the established order or perhaps even subtly critique it by presenting an idealized, unattainable version of leadership? Consider how portraying historical figures serves present-day political purposes. Editor: That’s fascinating; I never thought about the dissemination of images as a political tool in that era. The “why now, and for whom?” question is crucial. Curator: Precisely. By examining the intersection of art, politics, and social context, we gain a much richer understanding of this seemingly straightforward portrait. What resonates most with you after thinking about it this way? Editor: Definitely the intentionality behind Hess's choices, and the potential for prints to shape public opinion during the enlightenment era. It's like the propaganda of its time.
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