Head of a Man c. 18th century

Editor: We’re looking at Thomas Worlidge's "Head of a Man," residing here at the Harvard Art Museums. I’m struck by the contrast created by the hatching technique, and the man's intense expression. What structural elements stand out to you? Curator: The most striking feature is undoubtedly the artist's masterful use of line. Note how the density and direction of the lines create volume and texture, particularly in the beard and hair. What does the strategic placement of these lines suggest to you about the artist's intent? Editor: I see a build-up of lines to emphasize shadow and form. It's like the man is emerging from darkness. I appreciate how you've illuminated the technique behind the emotion. Curator: Precisely. It's through this careful manipulation of form that Worlidge invites us to contemplate the psychological state of his subject, and the power of line as its own form of language.