Les Douze Mois de l'Année: Fructidor 1919

Marthe Romme made "Les Douze Mois de l'Année: Fructidor" with stencil and etching. Let’s consider the technical ingenuity and the labor that went into this print. Notice the intricate stenciling, giving a soft edge to the woman’s striped dress, in contrast to the clean, precise lines of the etching which define the composition. These processes aren't about the artist's individual touch, but are closer to industrial techniques, which is interesting for a fashion image. The printmaking techniques allow for a high degree of control and repeatability. With this understanding, we can appreciate the skill required to create the fine details that define the figure’s stylish dress and overall aesthetic. The labor-intensive nature of stenciling and etching suggests a deliberate choice to engage with hand-made practices within a commercial context. By examining the materials and processes used to create this print, we gain a deeper understanding of its cultural significance, challenging distinctions between fine art and craft, and allowing for more inclusive understandings of art history.