Peter Griffenfeld 1726 - 1757

Editor: Here we have "Peter Griffenfeld," a print, possibly an engraving, created sometime between 1726 and 1757. It's located at the Statens Museum for Kunst. There's a formality to it, I see strong, decisive lines and attention to detail... What stands out to you when you look at this print? Curator: I am immediately drawn to the process of production evident in this engraving. Look closely at the varying line weights and textures. What was the engraver trying to convey about Griffenfeld through the meticulous labor invested in its materiality? Think about the cost of the materials too; paper and the time investment involved point to the value placed on this individual. Editor: That’s a great point. So, the act of creating this image, the materials chosen and the sheer time put into the making of it, communicate Griffenfeld’s status? Curator: Precisely. Consider the social context. Engravings like this were often used for reproduction and dissemination. The intent to circulate Griffenfeld's image highlights his societal significance and influence, but consider also that the proliferation and consumption of this image depends entirely on access to and affordability of such prints for everyday consumers. Do you think this kind of image serves different masters: one that represents power for the elite but also a means for making a livelihood among artisans? Editor: I see your point. It's like it elevates him but at the same time relies on labor. It's fascinating how understanding the material aspect of the engraving opens up these lines of questioning! Curator: Indeed. By considering the means of production, distribution, and reception, we move beyond a purely aesthetic appreciation of the work and enter a critical examination of power, labor, and consumption in 18th-century society. Editor: Thank you. It gives a new understanding and perspective about the artwork.