Troonsbestijging van Karel II, koning van Spanje, rekenpenning van Jean Balthazar de Visscher, baron van Celles, magistraat van de schatkist van Brussel by Anonymous

Troonsbestijging van Karel II, koning van Spanje, rekenpenning van Jean Balthazar de Visscher, baron van Celles, magistraat van de schatkist van Brussel 1666

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metal, relief, sculpture, engraving

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portrait

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baroque

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metal

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sculpture

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relief

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sculpture

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history-painting

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engraving

Dimensions: diameter 3.1 cm, weight 6.25 gr

Copyright: Rijks Museum: Open Domain

Curator: Here we have a "Troonsbestijging van Karel II, koning van Spanje, rekenpenning van Jean Balthazar de Visscher, baron van Celles, magistraat van de schatkist van Brussel", or the "The Enthronement of Charles II, King of Spain, Accounting Penny of Jean Balthazar de Visscher, Baron of Celles, Magistrate of the Treasury of Brussels" in English. Dating back to 1666, it's a Baroque piece in metal. Editor: The piece has a cold, authoritative feel. There's something severe in its meticulous detail and the hard medium, a somber elegance maybe. Curator: The form certainly echoes the function: a commemorative medal or coin. We see meticulous engraving work, which constructs elaborate symbolic language for power, governance, and legacy. There's a play of symbols that elevates an important political moment into permanent public art. Editor: Indeed. The texture is smooth, metallic; one could only speculate the labor process involved, where we consider the miners who extracted raw materials or the artisan who precisely made each tiny little carved form within this durable thing. What were their social realities during such creations, though? Curator: That is indeed a poignant point. Considering the overall design, one recognizes the conscious intention to present a potent representation. Consider the bilateral symmetry – it denotes regal control with visual balance, which itself reinforces and validates institutionalized systems. Editor: Quite so, if the material object and methods involved weren’t considered too closely, of course. Still, the production conditions are very crucial, not simply a backdrop, and impact interpretation a lot. Curator: A fascinating intersection! The tension lies in recognizing not just the image represented but the intricate methods of its birth. One appreciates that metal lends itself very effectively in the precise propagation of visual metaphors about permanence. Editor: Yes. Ultimately, by contemplating raw resources and the maker's processes that go beyond superficial visuals and meaning, one perceives deep narratives pertaining economic context, thus impacting artwork interpretation, no? Curator: Exactly, material realities give form to grand concepts. It helps me realize how even the loftiest ideals come into the world as tangible outcomes made under definite conditions. Editor: A great summary. Thank you!

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