Pollution Demon 

Editor: We’re looking at Valentina Remenar’s mixed-media painting, "Pollution Demon." It’s really captivating. I’m immediately drawn to the figure – this androgynous… being. I’m not sure what to make of those glowing horns. What’s your read on this? Curator: Well, my first thought? Ouch. Pollution. It burns, doesn’t it? See how those tendrils are almost viscous, like iridescent oil slick bleeding into the water. And the creature, a beautiful figure, yet tainted, weary… perhaps weighed down. Do you feel that sorrowful energy? It's palpable. I wonder if it's more about self-inflicted wounds than external destruction. Editor: I see that. The androgyny throws me, though. Is the artist suggesting pollution impacts everyone equally, regardless of gender? Curator: Perhaps. Or maybe it’s a deliberate blurring, pushing us beyond simplistic binaries. This “Demon” isn't just a monster to be feared, but a being who seems to be part of the landscape. Like the pollution is becoming one with nature in a twisted sort of symbiosis. How else would you explain those tender, glowing plants next to the demon? Editor: That's a great point! The bright colours almost hide the actual despair of the issue. It's like putting lipstick on a pig, you know? A glamorous smokescreen. I was initially mesmerized by its otherworldly beauty, but it's a chilling reminder of the cost. Curator: Exactly. There's a bitter beauty here, isn't there? Like a poisoned apple. Makes you question where you place your own blame in it. Food for thought… or maybe food for action.