Editor: Here we have Jacques Callot's "Virgin of the Column" from the Harvard Art Museums. It feels so intricate and contained, almost like a jewel. What's your interpretation? Curator: It whispers of faith and craft, doesn't it? Callot's lines, so precise, create a miniature world. Look at how the Virgin and Child nestle within that architectural frame, promising sanctuary, a tangible slice of divine grace. It’s like holding a prayer in your hand. I wonder, do you feel that intimacy too? Editor: Definitely! It's like a personal devotional object. I hadn't thought about the sense of sanctuary. Thanks!
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