Under the Blossom that Hangs on the Bough 1917

John William Godward created this painting with oil on canvas; a traditional medium for academic painting. Consider how the marble bench is depicted here: not just as a surface, but as a material with inherent qualities. The veining, the cool, smooth finish, and the way it reflects light are all carefully rendered, and underscore the woman's presence. Look at how the mosaic floor is constructed from countless tiny pieces, each one individually placed. This element reflects an enormous amount of labor, invoking the intensive craftsmanship of ancient Roman art. Godward’s devotion to detail and naturalistic approach to painting speaks to a specific set of artistic values, prioritizing technical skill. Yet, by representing an idealized vision of the past, he also offers a window onto his own time, and its fascination with classical antiquity as an escape from the industrial world.