Dimensions: image: 200 x 152 mm
Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: This is William Blake's engraving, "The Messengers tell Job of his Misfortunes," part of his Illustrations of the Book of Job. The work, now held at the Tate, presents a scene of profound grief. Editor: The first thing that strikes me is the stark contrast of light and shadow. There's a powerful use of line to convey emotion here. Curator: Indeed. Blake uses the formal arrangement to underscore the psychological weight of the news. The running messenger contrasts sharply with the seated, despairing figures of Job and his wife. Editor: And the symbolism is pervasive. Note the sheep, representing innocence and loss, coupled with the divine fire that has destroyed Job's prosperity. Blake's imagery is incredibly layered. Curator: His visual language acts as a sophisticated semiotic system, speaking to the very structure of misfortune and faith. Editor: I agree, and through these forms, Blake asks us to consider enduring cultural narratives of suffering. Curator: A brilliant illustration on how form and content enhance one another. Editor: An image that lingers, prompting reflection on our own understanding of loss.
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http://www.tate.org.uk/art/artworks/blake-the-messengers-tell-job-of-his-misfortunes-a00015
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This is an illustration to chapter 1, verses 14-17, of the Book of Job. Blake uses as the main title the words which conclude verse 15. This is the end of the sentence which begins with verse 14 and which is inscribed in a curve across the top margin of the print. Verse 16 is inscribed in the bottom margin beneath the main title. Just above the main design is the winged figure of Satan strutting over the globe. He is flanked by the words of his reply to God when he was asked where he had been. Gallery label, August 2004