print, engraving
narrative-art
landscape
figuration
romanticism
line
history-painting
engraving
This print was made by William Blake, who lived between 1757 and 1827. Though trained in the art of engraving, he rebelled against its conventions. Blake developed a unique method that he called "illuminated printing," using etching to combine text and image on a single plate. Note the density of lines, achieved by repeated biting of the metal in acid. He was a master printmaker, but did not intend for his prints to be editioned in a conventional way. Each copy was individually colored by hand, making every impression unique. Blake's technique reflected his radical social views. In a time of mass production, Blake favored the handmade, and retained full control of his artistic process. This print, with its powerful depiction of suffering, is a testament to his belief in the power of individual creation. In Blake's view, the hand was the most important tool of all.
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