Christus aan het kruis en de heilige Cecilia by Jaspar de Isaac

Christus aan het kruis en de heilige Cecilia 1601 - 1654

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drawing, print, paper, ink, engraving

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drawing

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baroque

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print

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figuration

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paper

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ink

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coloured pencil

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history-painting

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engraving

Dimensions: height 91 mm, width 119 mm

Copyright: Rijks Museum: Open Domain

Editor: We are looking at a work titled "Christus aan het kruis en de heilige Cecilia" ("Christ on the Cross and Saint Cecilia") made between 1601 and 1654 by Jaspar de Isaac, executed using drawing and printmaking techniques like engraving in ink on paper. It's very intricate, almost delicate, but the subject matter is so dramatic. What do you see as being most significant in this work? Curator: Immediately, the duality of subject matter compels attention, demanding that we consider the relationship between the crucifixion scene and Saint Cecilia. Note the contrast in the implied lines of force; Christ's verticality and suffering juxtaposed with the saint’s open gesture. How do these contrasting visual structures guide our interpretation? Editor: So, it's the composition that drives the meaning? Is there anything else to be said about the elements themselves? Curator: Observe how the artist employs engraving to achieve textural contrasts: the smoothness of the saint's robe versus the agony etched into Christ's figure. This use of line and texture does not merely depict; it actively evokes an emotional response, channeling Baroque sensibilities through formal means. What effect do you think this choice of material has on our understanding of the work’s purpose? Editor: It does make it feel more immediate, more about feeling than observing... and seeing it in the context of this book, like a devotional object. Curator: Precisely. The book format encourages private contemplation, and the engravings facilitate a direct, visceral engagement with the sacred narrative. Do you find the contrast enhances that feeling or distracts from it? Editor: It adds layers I hadn't considered. Seeing how formal elements can speak volumes about subject and intention, it’s enlightening. Thanks! Curator: Indeed, the artist manipulates formal qualities not just to represent a scene but to elicit an emotional and intellectual response, urging viewers towards spiritual reflection through visual means.

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