Enige Turken knielen voor Karel V by Frans Hogenberg

Enige Turken knielen voor Karel V 1574 - 1578

drawing, print, ink, engraving

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drawing

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narrative-art

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pen drawing

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print

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landscape

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figuration

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11_renaissance

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ink

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line

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history-painting

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northern-renaissance

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engraving

Editor: Here we have Frans Hogenberg's "Enige Turken knielen voor Karel V," made between 1574 and 1578, currently held at the Rijksmuseum. It's a print, quite detailed despite its small scale, showing a grand landscape teeming with figures and cannons. It’s a rather busy composition, but what really strikes me is the posture of these kneeling figures in the foreground... what does it tell us? Curator: That’s an excellent starting point. Consider how Hogenberg has rendered these "Turks." Kneeling wasn't just a physical act, but a loaded gesture signifying submission and supplication. It's interesting to observe how cultural narratives are encoded in these bodily postures, and how an artist from the Northern Renaissance understands people from an entirely different part of the world. The cultural memory that the kneeling posture evokes – a request for mercy, a display of deference – has been persistent, hasn't it? Editor: Persistent indeed. So the figures and their actions create the mood for the entire work, you think? Curator: I do. Though there is more at play than simply the physical arrangement of elements. It seems worthwhile to investigate the symbolic weight placed on these "Turkish" figures, especially when juxtaposed with the imperial figure of Charles V and his military power. How does it make *you* feel, this imagined, historical act of kneeling before the emperor? Editor: It definitely makes me a bit uneasy, recognizing how these depictions reinforced existing power structures. Even with this single work, a pattern emerges showing how visual culture preserves and perpetuates symbolic hierarchies. Curator: Precisely. The symbolism of power relations within this single image echoes throughout history, reminding us how images participate in shaping our understanding of the world. Editor: Well, now I see so much more than just a crowded landscape. It’s about the story being told—or rather, the power dynamic being displayed. Curator: And those stories linger, embedded in the visual language that continues to resonate across time.

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