The Crested Jay by Mark Catesby

The Crested Jay 1731 - 1743

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drawing, hand-colored-etching, print, etching, watercolor

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portrait

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drawing

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hand-colored-etching

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narrative-art

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print

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etching

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landscape

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green tone

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ukiyo-e

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watercolor

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watercolour illustration

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history-painting

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watercolor

Dimensions 10 x 13 3/4 in. (25.4 x 34.93 cm) (sheet)

Curator: This is Mark Catesby's "The Crested Jay," a hand-colored etching with watercolor, made sometime between 1731 and 1743. Editor: It’s striking how much detail he gets with watercolor. The jay practically vibrates against the off-white background. The cool blues against the warmer branch, lovely contrast. Curator: Catesby's work is fascinating because he wasn’t just an artist, but a naturalist documenting the flora and fauna of the American colonies for a European audience hungry for knowledge of the New World. Editor: It's interesting how he balances the scientific illustration with a real aesthetic sense. The leaves seem deliberately placed, drawing the eye around the bird’s form and accentuating its colours. It isn't purely objective observation; there’s artistry at play. Curator: Exactly! Catesby played a significant role in shaping European perceptions of the Americas, feeding the Linnaean system through meticulous scientific study and description. These weren't just images; they were scientific data disseminated within a specific intellectual and social context. Think about the scientific societies clamoring for these prints. Editor: But the composition—the arrangement of forms, lines, and colours—grabs you first, before you even think about the history. The textural differences are masterfully handled, like that patterned tail. Curator: Catesby made compromises. He often combined species from different habitats in the same image, prioritizing visual appeal over strict accuracy, further proof he balanced artistry with the scientific demand. The picturesque often overruled true field observation! Editor: Perhaps so, but that slight manipulation actually heightens the picture's aesthetic qualities, creating a self-contained, balanced, and vibrant image. The subtle colour variations within that vivid plumage truly impress. Curator: I see it more as a complex intersection of art, science, and colonialism. But still a gorgeous early ornithological record. Editor: Agreed! Aesthetically beautiful, yet complicated!

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