A View at Pines the Seat of Sir Stafford Northcote Bart near Exeter by Francis Towne

A View at Pines the Seat of Sir Stafford Northcote Bart near Exeter 1778

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Dimensions: support: 271 x 372 mm

Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate

Curator: Before us is "A View at Pines the Seat of Sir Stafford Northcote Bart near Exeter," rendered by Francis Towne. Editor: It's a tranquil scene, isn’t it? The monochromatic wash gives it a feeling of looking back. Curator: Absolutely. Towne, working in the late 18th and early 19th centuries, was deeply engaged with notions of the picturesque and the sublime, concepts intrinsically tied to the social and political landscape of England. Editor: I notice how the artist used layered washes to model the trees, creating these beautiful, almost cloud-like forms. The repetition of forms creates an intriguing rhythm. Curator: The estate would have represented power and privilege. The figures in the mid-ground appear as mere details, subservient to the landscape and its owner's dominion. Editor: Thinking about the formal composition alongside the historical context offers a richer viewing experience. Curator: Indeed. The work serves as a lens through which to examine class, land ownership, and the aestheticization of power. Editor: A wonderful intersection of artistic technique and social commentary.

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tate 12 days ago

http://www.tate.org.uk/art/artworks/towne-a-view-at-pines-the-seat-of-sir-stafford-northcote-bart-near-exeter-t08527

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tate's Profile Picture
tate 12 days ago

Towne lived and worked for a part of his life in Exeter. This work is from the period when Towne developed the style of pen and ink outlines and broad over-washes for which he was known. In this work he has not yet completely refined this technique; his pen and ink lines are quite stiff and regimented. To build up the surface Towne has worked quickly applying various dilutions of wet on wet washes and more slowly applying wet washes over already dry washes. This enables him to create softened areas of wash and contrasting areas of wash respectively. Gallery label, August 2004