Vrede 1663 - 1738

Curator: This print, titled "Vrede," which translates to "Peace," comes to us from Jacques-Antoine Friquet de Vauroze and dates sometime between 1663 and 1738. It’s an engraving, depicting an allegorical scene within a classical framework. Editor: My initial impression is one of staged serenity. The figures, the temple—everything feels deliberately arranged to convey an idealized state. It’s quite classical in its composition, with a balanced symmetry despite the activity in the lower left. Curator: Absolutely, the allegorical elements are key here. Note the central figure of Pax, goddess of peace, standing elevated above the Roman figures, their architectural setting. Editor: I’m immediately drawn to the texture achieved through the engraving. Look at how the varying densities of lines create depth, shadow and form—especially noticeable in the drapery and the foliage. There is remarkable attention to the line itself to give definition to each form and each aspect of texture. Curator: It is, indeed, meticulously crafted, showcasing the artistic values appreciated in the period in which this print was produced. The goddess is placed on top of the temple which speaks volumes; It symbolizes her role as protector, but more importantly as a reward that is to be reached and accomplished. Note that there is no depiction of violence, or threat of danger within the frame: Pax achieved, is Pax retained. Editor: Interesting observation, and something to further dwell on when interpreting the allegorical symbolism. Yet, I cannot shake the sense that all is static and posed. What purpose does that pose serve here other than for the construction of a message? It’s controlled to its most extreme state and, frankly, is rather effective in the attempt. Curator: I agree in that a feeling of detachment looms about; it’s classical idealism filtered through the lens of political power. The very medium chosen is linked to the creation and dissemination of concepts around that period. Engravings could carry these social values further and longer as each print would take hold in society as visual fact and therefore, as truth. Editor: Very well put, the power of the medium is indeed a cornerstone of such statements, and such statement can then carry even more visual power through the centuries as they turn into precious documents. As formal structures the concepts solidify even more and become self explanatory for each generation who beholds it. Curator: Considering its creation context and all visual codes included in the picture, "Vrede" offers a clear window into how ideals are visually communicated during its own period and beyond. Editor: Precisely. This engraving offers us more than aesthetic pleasure. It presents us with an image frozen within history that reveals details and mechanisms about message and content—for past generations, but for us as well.