Het koninklijk paar op het balkon van het Paleis op de Dam, Amsterdam, 5 maart 1901, feestelijkheden ter gelegenheid van het huwelijk van koningin Wilhelmina en prins Hendrik 1901
Dimensions height 81 mm, width 60 mm, height 297 mm, width 228 mm
Editor: So, this photograph by Barend Groote, from 1901, captures Queen Wilhelmina and Prince Hendrik on their wedding day, greeting the public from the palace balcony. It’s sepia toned, and has this almost architectural quality… what are your initial thoughts when you see this piece? Curator: The first thing I observe is the composition itself. The building's facade is a series of receding planes. Notice the interplay between the horizontal balcony line and the vertical emphasis of the building columns and window arrangement. Do you see how the artist used those elements? Editor: Yes, it does create a sort of grid. It's a very formal and structured way to frame a… presumably romantic scene. I wonder if the rigid architectural features are designed to create contrast with the implied joviality of the crowd? Curator: Exactly. The use of light and shadow creates a rhythmic pattern that’s pleasing. Semiotically, you could consider the balcony itself as a stage, presenting the royal couple to their audience. The drapery adds an interesting texture and breaks the harsh line. Editor: The balcony looks heavy! All the weight is right on top of the arched doorway below. I hadn’t noticed that so much detail could exist in what at first glance felt so muted. What do you find to be the most critical detail in the photograph? Curator: I would say it is in how all components complement the core elements within the structure of the composition. Did Groote intentionally capture those nuances of romanticism? Without that context, the image still retains its impact from structuralism itself. Editor: It's fascinating how the composition itself carries so much meaning. It shifts the reading of the entire image. Thanks for showing me that, this has definitely broadened my appreciation. Curator: Likewise; examining through both a Romantic and Structuralist view created another element in an otherwise stoic scene.
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