De twaalf jarige Koningin Wilhelmina in Friese klederdracht op een podium 1892
photography, albumen-print
portrait
photography
history-painting
albumen-print
realism
Dimensions height 177 mm, width 235 mm, height 235 mm, width 320 mm
Curator: It’s funny how the past feels sepia-toned even when it’s staring right at you. Editor: Indeed. This albumen print, "De twaalf jarige Koningin Wilhelmina in Friese klederdracht op een podium" captured in 1892 by Cornelis Halbertsma, is an interesting material document of its time. The image captures Wilhelmina dressed in traditional Frisian garb, elevated on a stage beneath a mass of flags. It's fascinating to observe the relationship between power, representation, and clothing. Curator: Oh, absolutely! Isn’t it amazing how the artist turned an otherwise straightforward occasion into this very formal tableau? All those meticulously draped fabrics, like the garlands mirroring the flags, and the young Queen elevated in such a symbolic way...It reminds me of a staged history painting, like everyone's holding their breath for the "photo" to be taken. It’s simultaneously theatrical and very tender. Editor: Right. Consider how the choice of albumen print as a medium infuses the image with a very tactile and layered quality. This was not simply about capturing an event. There's a performative aspect that complicates the moment, considering that producing these photographic materials required artisanal processes. Curator: The tonal range in the sepia… the way it casts this unifying glow, and softens any sharp edge… Editor: Perhaps speaking to Halbertsma's photographic mastery in manipulating material? And how might those who bought this print consume and give social relevance to its historical significance? We can only imagine what it cost them to get one of these things. Curator: A tangible, processed past… that speaks volumes to a historical fascination... But the soul in this image feels utterly palpable still. It's both there and impossibly distant, wouldn’t you say? Editor: Indeed. These historical materials were part of larger consumptive economies, both defining the era's aesthetic tastes and the economic structures. Curator: The artist manages to distill a moment. We are left pondering the delicate weight of the future Queen in that very fleeting, historical instant. Editor: Absolutely, and in those carefully crafted photographic materials, we find the key to unlocking an intersection of economy, labor, and social rituals that ultimately created its historical persona.
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