Skitse af siddende nøgent barn by C.G. Kratzenstein Stub

Skitse af siddende nøgent barn 1813

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drawing, paper, pencil

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portrait

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drawing

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paper

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pencil

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academic-art

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nude

Dimensions 184 mm (height) x 122 mm (width) (bladmaal)

Curator: Ah, this delicate drawing... "Skitse af siddende nøgent barn," or "Sketch of a Sitting Nude Child" by C.G. Kratzenstein Stub, created in 1813. Pencil on paper, residing here at the SMK. It offers an interesting window into academic art training. Editor: My goodness, there's such an immediacy to it! The tender softness, like a half-remembered dream. It almost feels as though Stub captured a fleeting thought of infancy. So fragile, though, it makes you wonder about the paper's past. Curator: The material aspects are definitely key. We're looking at readily available, relatively inexpensive materials, suggesting its primary function as a study. Notice how the pencil lines vary – heavy in some areas defining form, almost disappearing in others, creating a sense of light and volume with very economical means. Paper itself would have been a manufactured commodity of increasing accessibility due to industrialization at the time. Editor: Absolutely. But even in its economical execution, it evokes a wealth of emotion. That soft, almost indistinct, definition emphasizes the transient nature of childhood, its vulnerability. There is this beautiful tension between this raw study of anatomy, perhaps, and something much more profound, even soulful. Curator: And we have to remember the socio-historical context: Academic art training involved rigorous study of the human form. Nudes were a cornerstone. So this sketch, in its original setting, served a practical function, training Stub's eye and hand in rendering the human body according to neoclassical ideals. Editor: Yes, the formal training is evident, of course. And while I appreciate your insight into the process and context, for me this artwork is one that manages to hint at the innocence, the sheer vulnerability that resides at the start of a human's journey. That’s its powerful enduring legacy. Curator: Agreed, its charm endures. Considering it now, outside that original didactic environment, invites reflections beyond mere technical skill. Editor: Precisely, a reminder that even within established frameworks, that something transcendent is very possible.

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