Art - Goût - Beauté, Feuillets de l' élégance féminine, Noël 1928, No. 100, 9e Année, p. 5 by Marc Real

Art - Goût - Beauté, Feuillets de l' élégance féminine, Noël 1928, No. 100, 9e Année, p. 5 1928

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graphic-art, print, poster

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art-deco

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graphic-art

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print

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poster

Dimensions: height 315 mm, width 240 mm

Copyright: Rijks Museum: Open Domain

Curator: Here we have a striking piece of graphic art, a print titled "Art - Goût - Beauté, Feuillets de l'élégance féminine, Noël 1928", produced in 1928. The artist is Marc Real. Editor: Well, it's certainly an elegant arrangement. There's a stylized Art Deco feel, a study in geometry between the linear cigarettes and the radiating palm leaves. Curator: Precisely! It's an advertisement, clearly, designed for the French State Tobacco company. The placement within "Feuillets de l'élégance féminine" is fascinating; it speaks to how smoking was marketed as glamorous, sophisticated, and part of the modern woman's lifestyle. Editor: And observe how the cylinders are arranged. The artist carefully positions each item with very simple composition. The text integrates seamlessly, anchored to the curves of the implied circle containing the holiday greeting: "Noël." Curator: This kind of state-sponsored advertising really cemented cultural norms around tobacco use, making it appear not only acceptable but aspirational. Note how the brand doesn't need much presence, but is supported through a gift suggestion at Christmas, as highlighted in the lower section of the graphic! Editor: Yes, there is an interesting play here! The lighting creates an allure! The simple contrast draws focus without requiring bright colors. A modern and appealing invitation for a mass-produced good. Curator: Knowing that such imagery contributed to decades of widespread smoking makes one reflect critically on the responsibilities of artists and the power of advertising. We might question now the impact this imagery made, beyond consumption. Editor: But undeniably, it's effective design, regardless of the ethics of the subject matter. The balance, the contrast, even the texture suggested, it all contributes to its communicative impact, culturally and as an aesthetic choice. Curator: Exactly, looking at the piece today allows us to reflect on both the aesthetics of design and the marketing practices employed in the past to influence behaviors and opinions. Editor: In short, even with dated marketing techniques, the underlying principles of a good-looking arrangement endures.

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