Christ on the Cross 16th-17th century

Editor: Here we have Johann Sadeler's "Christ on the Cross." It's an engraving, so what strikes me is the labor involved in its creation. What stands out to you about the work? Curator: Notice how the printmaking process allows for mass production, commodifying religious imagery. This connects to the rise of capitalism and the changing relationship to faith. Consider also the economic implications for Sadeler and his workshop. Editor: So, the means of production are as important as the religious subject matter? Curator: Precisely. The materials, the labor, and the distribution all influence the meaning we derive from the image. It's not just about piety, but also about economics and social structures. Editor: I never considered the economic side of religious art before; it's truly fascinating. Curator: Indeed. By examining the materials and processes, we gain a deeper understanding of the artwork's role in society.