Portretten van Herman Besselaar en zijn ouders c. 1930

This is a scrapbook page by Berti Hoppe. Here's a question: how do photographs create a site of inquiry for the artist and the viewer? I can imagine Hoppe assembling this family album. I wonder what she was thinking when she made it? Was she concerned with documenting, representing, or reframing the Bessalaar family? The monochromatic images create a consistent palette. The eye is drawn to the various sitters. It's interesting how each subject's gaze interacts with the surrounding composition. This suggests a wider conversation around family, heritage, and representation across time. Artists are in an ongoing exchange of ideas, inspiring one another's creativity! Berti Hoppe's album embraces ambiguity, allowing for multiple interpretations.