Twee theosofische voorstellingen 1919

Editor: So, this print from 1919 is called "Twee theosofische voorstellingen" by Mathieu Lauweriks. It is a monochrome print on paper showing geometric and symbolic forms. I'm immediately struck by how stylized and almost archaic it feels. What sense do you make of it? Curator: Well, let’s unpack this a little. Given its date and title, and your description, the key here is Theosophy, right? Lauweriks was deeply involved with the Theosophical Society. It wasn’t just a personal interest but a vital, organized cultural force in the late 19th and early 20th centuries. Consider its appeal to artists and intellectuals: Theosophy offered an alternative to traditional religious dogma at a time of immense social change and disillusionment after World War One. Editor: So, how does that influence the imagery we're seeing? The geometric forms… is it about some universal language? Curator: Exactly! Theosophists believed in an underlying unity of all religions and sought a universal, symbolic language. The geometric shapes aren’t just decorative; they’re meant to be read as keys to deeper, spiritual truths. This yearning for universality arose from a cultural landscape reshaped by globalization, urbanization, and disenchantment with established institutions. Do you see hints of other movements maybe at play here? Editor: Now that you mention it, the starkness of the print reminds me a bit of some German Expressionist woodcuts... Did Theosophy have links to other contemporary artistic movements? Curator: Absolutely! Theosophy significantly influenced early abstract art, Expressionism and even architects. Artists found in it a validation for non-representational forms, believing these forms could express spiritual realities beyond the material world. The institution of the Theosophical Society played a huge part in popularizing this connection between art and spirituality. Editor: That’s fascinating! It completely changes how I see this piece, thinking about the wider social currents influencing it. Curator: Right? The public role of art shifts, it reflects our social-cultural yearnings. We realize the art reflects back on those public spaces and dialogues that help give it meaning in the first place.