Schetsblad met studies van een paard by Jan Kuyper

Schetsblad met studies van een paard 1855 - 1912

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drawing, pencil

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drawing

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pencil sketch

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landscape

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pencil

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horse

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academic-art

Dimensions: height 480 mm, width 623 mm

Copyright: Rijks Museum: Open Domain

Editor: This is "Schetsblad met studies van een paard" by Jan Kuyper, created sometime between 1855 and 1912. It's a pencil drawing, or rather, several studies on one sheet. The studies are disparate; they explore the horse from different angles. I am really drawn to its intimacy and apparent incompleteness, like glimpsing into the artist's process. What can you tell me about this work? Curator: It’s interesting that you find the work intimate, and that reveals much about the perception of artistic intention, doesn’t it? Considering this “sketch sheet” through a historical lens, it highlights how academic artistic training involved detailed anatomical study, particularly of animals, which were important subjects within 19th-century art. These drawings would not have been intended for public display in this format. So, to see it hanging here in the museum creates a different viewing dynamic. How do you think that affects the work's reception? Editor: I think it definitely elevates the sketches to something more significant, right? It moves them from the realm of practice to, well, art. It's presented in a space where it's meant to be scrutinized and appreciated. So what was once personal is now very much public. Curator: Precisely. This brings up a critical question: Who decides what constitutes "art" and under what circumstances? The institutional context – the museum itself – imbues this "sketch sheet" with a value it may not have originally possessed. Museums essentially shape art history. What seems like an objective record is actually a constructed narrative. Editor: That's fascinating. I hadn't considered the active role museums play. I guess I always thought they were just passively displaying the art, not giving meaning. Curator: Consider that the next time you walk into a gallery, the narrative is already unfolding around you. It makes you wonder what sketches were deemed “unworthy,” yes? Editor: Definitely food for thought. Thank you. I see this artwork – and the museum – in a totally new light now!

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