Study towards the Object of the Exercise 1978

Editor: This is Bruce McLean's "Study towards the Object of the Exercise." It's undated, but held at the Tate. Looking at the layering of images and text, I'm struck by its chaotic energy. What sociopolitical narratives might McLean be exploring here? Curator: Good question. McLean emerged as a critical voice against the art establishment. Think about the anti-establishment sentiment of the 1960s and 70s. His performances and paintings frequently critiqued institutional power structures and the commodification of art. Do you see echoes of that here? Editor: I see it now! The fragmented figures and nonsensical phrases could represent a breakdown of societal norms, a rebellion against traditional artistic values. Curator: Exactly. The work becomes a social commentary. It makes one think about the broader implications of artistic expression within a culture of critique. Editor: This really helps to frame the work's intention. Thanks!