Basket with cover by Anonymous

Basket with cover Date Unknown

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carving, ceramic, wood

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carving

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ceramic

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form

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ceramic

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wood

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decorative-art

Dimensions 4 × 6 3/4 × 5 5/8 in. (10.16 × 17.15 × 14.29 cm)

Curator: Here we have a captivating object—a covered basket made with ceramic and wood elements by an anonymous artist. The piece resides here at the Minneapolis Institute of Art. Editor: Right away, the warmth of the woven basket and dark wood reptile form an inviting visual experience. Its gentle round shape and organic materials lend it a feeling of comfort. Curator: The ceramic craftsmanship is immediately evident, highlighting a deeply rooted connection to nature. Animals depicted atop objects like this one carry such profound weight, and can signify the protection or provision of something sacred or valuable inside. Editor: The basket itself presents a more immediate appeal to me, that it was carefully, and likely painstakingly, crafted. It suggests a tradition of labor. And I wonder about the sourcing of the raw materials? Did the makers of the ceramic have ready access to clay? What about the reeds and wood used in carving? Curator: Interesting questions that delve deeper into its material existence. The choice of a lizard figure could certainly symbolize adaptability and survival, or even healing, reflecting some belief of those who made or commissioned the work. The form sits almost as if guarding the contents below, as if preserving some essence or cultural element for later use. Editor: Yes, I see it also as the embodiment of natural forces refined through human work. The meticulous nature of this basket speaks to a structured allocation of time, effort, and potentially community knowledge that really connects material to societal meaning. Curator: It becomes clear that, while on the surface it may appear as just a household object, it may tell tales of generations and carry symbols much deeper than practicality. This object links our material world with spiritual meaning, no matter what practical function it serves. Editor: Indeed. Exploring art like this teaches us about the layers of effort and meaning in even the simplest object, highlighting both its practical origins and deep connection to material conditions.

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