Dimensions: 1 3/8 x 2 1/4 x 2 1/4 in. (3.5 x 5.7 x 5.7 cm)
Copyright: Public Domain
This miniature basket was woven by a Tohono O’odham artist; it has a lid and is made with natural materials. I love how the entire object seems to be built from a single, spiraling line. It's the same repetitive gesture coiling around and around that gives the basket its form. The figures that adorn the basket feel almost like a secret language. There is a figure in a reddish-pink colour holding hands with a darker brown figure. The colours are made by using darker, thinner pieces of reed or grass in the woven surface. There’s something so tactile about this little container. You can imagine how the weaver’s hands moved as they coiled the materials, adding new layers. It reminds me of the work of Sheila Hicks, who also uses thread and fiber to create these tactile objects. It’s cool how the artist's hand is evident, and also how it exists as something beyond our own understanding.
In the early 1900s, many Euro-American women traveling through the Southwest region of the United States became infatuated with miniature Native American baskets, and some became avid collectors. Native women basket makers responded to this demand by creating ever-smaller baskets, utilizing the same harvesting, processing, and coiling techniques as those for personal use. Creating tightly woven, tiny baskets in an expanding range of designs and styles for their new clientele required the same levels of expertise and knowledge—but perhaps even more dexterity and skill.
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